The first three years of the Play-House’s existence were turbulent, and the itinerant company bounced from location to location until finding a home at La MaMa in 1968. There was also quite a bit of turnover, beginning with the departure of Ronald Tavel. He balked when John Vaccaro wanted to cut out two-thirds of the seventy-page script for his camp masterpiece Gorilla Queen, so the playwright took it to Judson Church and left the Play-House of the Ridiculous for good. Vaccaro then directed Big Hotel by newcomer Charles Ludlam, who also quit, taking most of the cast with him to form his own Ridiculous Theatrical Company. “Conquest of the Universe was the one Charles wrote, and then he left,” Vaccaro explained. “So I got all these people from Warhol—like Taylor Mead, Ondine, Mary Woronov, and Rene Ricard—to do the show at the Bouwerie Lane Theater.” Vaccaro’s press release described Conquest as a “paramoral” science fiction story where Adolf Hitler’s writings mixed with old movie scripts and dialogue from television shows: “The dour pornography of the daily Vietnam reports is here met by the screaming pornography of the truth.”

From Chapter 16 of The Downtown Pop Underground — order online, or from a local independent bookstore